canon eos m6 mark ii mirrorless digital camera (silver)- high image quality with 32.5 megapixel cmos (aps-c) sensor, evf-dc2 viewfinder, high-speed continuous shooting of up to 14 fps with af/ae tracking, dual pixel cmos af with 5, 481 manually selectable af positions*, and eye af servo support, 4k uhd 30p/ full hd 129p video, 30fps raw burst … The EOS M6 Mark II is available in a series of kits. The official body-only price is $849. Adding the retracting 15-45mm IS STM lens and EVF (pictured) boosts the price to $1099, while an 18-150mm IS STM and EVF kit will set you back $1349. What's new and how it compares The M6 II brings 4K video and 30 fps Raw bursts. Canon EOS M6 Mark II (Silver) at Amazon for $849 The new powerhouse 32.5MP sensor gives this camera a higher resolution than its big brother, the Canon EOS R. In fact, the M6 Mark II packs more megapixels than any Canon body save the 50MP 5DS/R – not at all bad for the supposedly humble APS-C format. Canon’s latest mirrorless camera, the compact EOS M6 Mark II, is built around a 32MP APS-C size sensor—the highest resolution camera in its class. At the same time, the M6 II shares a CameraWorld Stores. We're very easy to find, our London store is just off Oxford Street between Oxford Circus station and Tottenham Court Road station. The Essex shop is located i The Canon EOS M6 Mark II is a camera designed for enthusiast photographers that was revealed to the public on 2019-09-15 and is equipped with an APS-C sensor. When it comes to the price ( buy Canon EOS M6 Mark II from Amazon ), the Canon EOS M6 Mark II costs $849.33 for body-only and joins company’s APS-C camera line up with a 32.5MP CMOS sensor. By Beth Nicholls. published May 06, 2022. The Canon EOS M6 Mark II has reportedly been discontinued. What does this mean for the future of the M series? Canon EOS M6 Mark II (Image credit: Canon) It is being reported that the Canon EOS M6 Mark II has been discontinued, raising questions about the future of Canon's APS-C mirrorless system. On paper, the Canon EOS M6 Mark II is a no-brainer. A clean, compact APS-C camera with svelte lenses, a 32MP image sensor, 4K video and 14fps continuous shooting (with up to 30fps in RAW burst mode). On top of that, the Canon EOS M6 Mark II is the flagship model of the manufacturer's EOS M system… but herein lies the issue. Vay Tiền Nhanh Ggads. Sobre a loja A Bella Photo é uma loja de equipamentos fotográficos desde 1999. REVENDA AUTORIZADA CANON. Câmeras Canon CINEMA / PROVIDEO / VIDEO PROFISSIONAL. Especialista Canon, Nikon, SanDisk, Sigma,Sony, Sekonic. Conte com toda a credibilidade de mais de 24 anos de história. Compre no site receba em casa. Horário de Atendimento Segunda a sexta-feira exceto feriados, das 9h às 18h. Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test. Performance14fps or 30fps RAW burst mode 305-shot battery life Going on appearances, the Canon EOS M6 Mark II may not immediately strike you as being suited to action, sports and wildlife photography, but for a camera so diminutive it's actually packing some impressive specs that will appeal to photographers working in those genres. One such feature is 14fps shooting, which takes advantage of the sensor's full resolution, or if you're happy to drop down to 18-megapixel shooting, there’s a dedicated 30fps RAW burst mode. On the downside, the buffer isn’t huge – you’ll get 54 JPEGs or 23 raw files before it slows down, and a good workaround is to set it to capture smaller C-raw files, of which you’ll get 36. The official battery rating of the EOS M6 Mark II is a fairly unremarkable 305 shots, but with careful power management you can usually eke out far more than that. Good news here is that USB-C charging is on hand, which is great for power-ups on the move, or if you don't want to pack a whole lot of chargers when you qualityHighest-resolution Canon APS-C sensorUp to 25,600 native ISOGreat 'Fine Detail' Picture StyleThe new sensor inside the EOS M6 Mark II and indeed, the Canon EOS 90D comes with some pretty high expectations, thanks to its highest-ever resolution accolade – and happily, it’s capable of producing excellent-looking images. It’s disappointing not to see inbuilt optical image stabilization here, as it means you have to be a little bit careful with how you shoot, perhaps using faster shutter speeds or higher ISOs, but on the whole we were impressed with the performance from a camera that's so small and travel-friendly. We took lots of shots using the different Picture Style options, but our favorite is probably the Fine Detail setting, which takes advantage of that ultra-high pixel count to deliver images which almost pop from the screen, with excellent colors and bags of detail. Of course, many will also shoot in raw, and the M6 Mark II's raw files are fairly malleable, giving you good scope to adjust exposure in post-production.Image credit FutureOnly the EF-M 15-45mm f/ lens was supplied to us for testing with the camera, and while it's a decent walkabout lens for everyday use, you're likely to find that you crave better and/or more versatile optics at some point. Given the small size of the EOS M6 Mark II, a fantastic option for subjects like street and travel photography would be the EF-M 32mm f/ Having access to uncropped 4K video is excellent news, and here the EOS M6 Mark II also performs well, producing well-detailed, nicely saturated videos that any vlogger should certainly be happy with. The best travel cameras you can buy right now Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar. Most Popular TechRadar Verdict There’s a lot to like about the Canon EOS M6 Mark II. Its small size and low weight make it the ideal traveling companion, without compromising on specs and features, and a super-high resolution APS-C sensor, 14fps shooting and uncropped 4K add up to one tasty package. We have a few reservations, but overall it’s a fantastic camera that's well worthy of consideration. Pros +Great size for travel +High-resolution APS-C CMOS sensor+Fast max burst rate Cons -No built-in viewfinder -Screen only tilts-Relatively limited native lens range Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test. Launched at the same time as the Canon EOS 90D DSLR, the EOS M6 Mark II is not only an evolution of the previous M6; in some respects it's a miniature 90D, as the two cameras share the same sensor. Canon’s M range of mirrorless APS-C cameras have been playing second-fiddle to its full-frame options lately, and while some of Canon’s M-series models are underrated, decent performers, the original M6 arguably wasn't the easiest to fall in love with. The EOS M6 Mark II represents a fairly dramatic overhaul of that camera and is among the best beginner mirrorless cameras to consider, as well as being one of the best Canon cameras. Canon's decision to place a high-resolution sensor inside a miniature body along with a range of impressive action-friendly specifications is a fairly bold move for a model which might otherwise only appeal to travel photographers. The M6 Mark II isn't only replacing the M6, but also, apparently, the EOS M5. Unlike the M6 the M5 came with a viewfinder, and you can purchase a detachable OLED viewfinder either separately, or as part of a kit package if that's a feature you like to have.Image credit FutureSony Cyber-shot RX100 VII specsSensor APS-C CMOSScreen tilting touchscreen, million dots Burst shooting 14fps / 30fps RAW Burst modeAutofocus 143 phase-detect points Video 4K UHD up to 30fps/ 1080p Full HD up to 120fpsConnectivity Wi-Fi, Bluetooth, USB-CBattery life 305 shotsWeight 408g including battery and memory cardFeaturesNew CMOS sensor14fps shootingUncropped 4K video recordingThe sensor in the EOS M6 Mark II gets a dramatic boost in resolution over the one in the M6, packing more pixels than ever before on a Canon APS-C sensor. To go with it, there’s the latest Digic 8 processing engine, which gives the M6 Mark II an impressive speed boost over the M5 and the M6 – specifically 14fps shooting with continuous autofocus at full resolution. A 30fps raw burst mode is also available, if you can live with 'just' 18 megapixels. Another welcome improvement is the addition of uncropped 4K video recording, and this, along with its tilting screen, microphone socket and small size, could make the M6 Mark II an interesting choice for wise, we’ve got some new functionality in the form of eye-detection, which we've seen previously on Canon's EOS R and EOS RP full-frame mirrorless models – although don’t expect to use it for more than one subject. When it comes to design, Canon has essentially refined what it already had. It’s ditched the exposure compensation dial on the top plate to equip the camera with a Dial Func control which can be switched up to control a variety of 10 best compact cameras you can buy right now Current page Introduction and features Next Page Build, handling and autofocus Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar. Most Popular ダウンロード前に下記の使用許諾契約書を必ずお読みください。ダウンロードを開始された場合には本許諾書に同意されたものとさせていただきます。 - 動画のパソコンへの取り込みは、キヤノンのアプリケーションで行ってください。 - Digital Photo Professional 4シリーズはDigital Photo Professional 1～3とレシピ互換はありません。 - Digital Photo Professional 4シリーズとDigital Photo Professional このソフトウェアを使用するには、お使いのパソコンが次の条件を満たしている必要があります。 1. 対象OS Windows 11, Windows 10 64bit 2. 対応パソコン 上記OSがプリインストールされているパソコン アップグレード機は動作保証外 .NET Framework * .NET Frameworkはマイクロソフト社のソフトウェアでDigital Photo Professional 4とともにインストールされます。インターネットに接続できる環境が必要。 CPU; - EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50で撮影した画像 インテル Core iシリーズ 推奨 インテル Core i7以上 - それ以外のカメラで撮影した画像 インテル Core 2 Duo 推奨 インテル Core iシリーズ以上 RAM; - EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50で撮影した画像 4GB以上 推奨8GB以上 - EOS R5 [IBISハイレゾ撮影] で撮影した画像：32GB以上 - それ以外のカメラで撮影した画像 2GB以上 推奨4GB以上 ストレージ; - インストール時： 300MB以上の空き容量 - 動作時： 600MB以上の空き容量 動画再生推奨環境; - 8K MP4 インテル Xeon E5-2687W v3 x2基以上, RAM 16GB以上 - 4K / Full HD 60/50/ MOV/MP4 Canon Log/HDR PQ記録 インテル Xeon E5-2687W v3 x2基以上, RAM 8GB以上 - 4K 60/50/ MP4 第8世代 インテル Core i7-8700以上, RAM 4GB以上 - 4K MOV/MP4 第6世代 インテル Core i7 4Core以上, RAM 4GB以上 - Full HD MOV/MP4 第4世代 インテル Core i7 4Core以上, RAM 4GB以上 * 8K / 4K解像度の動画を表示、再生する場合、AMD社製、NVIDIA社製GPUのご利用をお勧めします。 推奨環境を満たしていても、スムーズに再生できない可能性があります。 3. ディスプレイ - 解像度： 1,024x720 以上 推奨1,600x1,200 以上 4. 対応機種 EOS R100, EOS R8, EOS R50, EOS R6 Mark II, EOS R7, EOS R10, EOS R5 C, EOS R3, EOS Kiss M2, EOS R5, EOS R6, EOS Kiss X10i, EOS-1D X Mark III, EOS Ra, EOS M200, EOS 90D, EOS M6 Mark II, PowerShot G5 X Mark II, PowerShot G7 X Mark III, EOS Kiss X10, EOS RP, EOS R, PowerShot SX70 HS, EOS D2000*, EOS D6000*, EOS D30, EOS D60, EOS 10D, EOS Kiss Digital, EOS Kiss M, EOS Kiss X90, EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1Ds, EOS-1D X Mark II, EOS-1D X, EOS-1D Mark IV, EOS-1D Mark III, EOS-1D Mark II N, EOS-1D Mark II, EOS-1D C, EOS-1D, EOS 80D, EOS 7D Mark II, EOS 7D, EOS 70D, EOS 6D Mark II, EOS 6D, EOS 60Da, EOS 60D, EOS 5DS R, EOS 5DS, EOS 5D Mark IV, EOS 5D Mark III, EOS 5D Mark II, EOS 5D, EOS 50D, EOS 40D, EOS 30D, EOS 20Da, EOS 20D, EOS 9000D, EOS 8000D, EOS Kiss X9i, EOS Kiss X9, EOS Kiss X8i, EOS Kiss X80, EOS Kiss X7i, EOS Kiss X70, EOS Kiss X7, EOS Kiss X6i, EOS Kiss X50, EOS Kiss X5, EOS Kiss X4, EOS Kiss X3, EOS Kiss X2, EOS Kiss F, EOS Kiss Digital X, EOS Kiss Digital N, EOS M100, EOS M10, EOS M6, EOS M5, EOS M3, EOS M2, EOS M, PowerShot G16, PowerShot G15, PowerShot G12, PowerShot G11, PowerShot G10, PowerShot G9 X Mark II, PowerShot G9 X, PowerShot G9, PowerShot G7 X Mark II, PowerShot G7 X, PowerShot G5 X, PowerShot G3 X, PowerShot G1 X Mark III, PowerShot G1 X Mark II, PowerShot G1 X, PowerShot SX60 HS, PowerShot SX50 HS, PowerShot SX1 IS, PowerShot S120, PowerShot S110, PowerShot S100, PowerShot S95, PowerShot S90 * CR2 - HDR PQを使用する場合の推奨動作環境は以下の通りです。 対象機種 EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50, EOS R, EOS 5D Mark IV CPU インテル Core iシリーズ RAM 4GB以上 推奨 8GB以上 - HDRディスプレイへHDR表示可能な環境は以下の通りです。 OS Windows 11, Windows 10でのディスプレイ設定で HDR表示を[ON]にできる環境であること。 最新のグラフィックス・ドライバーをインストールしてご使用ください。 - RAW動画ツールを使用するためには、以下の環境が必要です。 推奨環境 CPU Intel Xeon E5-2687W v3 x2基以上 GPU NVIDIA GeForce RTX 2080 RAM 32GB以上 ストレージ Read 400MB/s以上 最低環境 CPU Intel Core iシリーズ以上 GPU NVIDIA社製のGPU EOS-1D X Mark III, EOS R3 VRAM 4GB以上, EOS R5 VRAM 8GB以上 最新のNVIDIA社製ドライバがインストールされている必要があります。 ダウンロードおよびインストールを行うには、以下の手順に従ってください。 インストールする際には、他のアプリケーションソフトウェアを終了してください。 1. カメラ本体に記載されているシリアル番号を入力して、ダウンロードページから " をダウンロードします。PCの任意のフォルダへ " を保存してください。 2. PC上に保存した " を展開すると " というフォルダができるので、その中にある " をダブルクリックします。Digital Photo Professionalのインストールが開始されます。 （ [ユーザーアカウント制御] のウィンドウが表示された場合は「はい」を選択することでインストーラーが起動します。） 3. 画面の指示に従ってインストールを行ないます。 4. インストールが終了するとDigital Photo ProfessionalのインストーラーはPCの再起動を要求することがあります。その際はPCの再起動を行ってください。インストールが正常に終了すれば ダウンロードしたファイルと " は不要です。 Digital Photo Professional 4は、Picture Style をベースとした様々な画像調整機能により、思いのままの画像調整をスピーディーに行うことのできるキヤノン純正のRAW画像の閲覧、セレクト、現像アプリケーションです。 If you were worried that Canon would ignore its APS-C mirrorless camera series after the introduction of the full-frame EOS R, your anxiety should be somewhat lessened by the EOS M6 Mark II $ body only, which debuts just about a year after the EOS R. It sports a new sensor with class-leading resolution, better 4K support, and improved autofocus compared with the last generation, the most recent model being the EOS M50. It's the best mirrorless camera Canon has made to date, but enthusiasts may be turned off by a scarcity of premium lens options. Where's the EVF? The EOS M6 Mark II comes with a price tag that's decidedly not entry-level—just $50 less than the Sony a6400 or Fujifilm X-T30, two cameras that are all but equal, and our Editors' Choices for shoppers looking in this price range. But it's missing one big feature offered by the competition—a built-in viewfinder—a design choice I think is a misstep. You can add an external viewfinder, but it's a bit of a clumsy solution that makes the whole thing bigger than it would be if one was in the body. The add-on finder, the EVF-DC2, costs $200 on its own, but is included in M6 Mark II kits. Canon offers two, one with the EF-M 15-45mm f/ IS STM zoom for $1,099, and another with the EF-M 18-150mm f/ IS STM for $1,349. Both body and kit options are available in your choice of black or silver finish. The kits are certainly a better value than buying the camera by itself. Similar Products Even without an EVF, the M6 isn't notably smaller than competing models that include one. It measures by by inches HWD without a lens attached, and weighs ounces. Compare that with the a6400 by by inches, ounces and X-T30 by by inches, ounces. Solid Ergonomics The M6 Mark II is a compact camera, but it's one that feels very good in the hand. The handgrip isn't quite as deep as I'd want when pairing with a big lens, but to date every EF-M lens has been positively svelte. It's something to consider if you're a Canon SLR owner thinking about using your existing lenses via the EF-EOS M adapter. I used the camera with the EVF attached when working handheld, but took it off and relied on the rear LCD when seeing how the body handles on a tripod. I love the tilting design of the LCD, and its touch interface. The EVF-DC2 doesn't offer tilt adjustment. The EVF-DC1 does, and it works with the M6. But its tech is older—it uses an LCD panel, rather than the DC2's OLED, which isn't good for tracking fast action, something the M6 Mark II is quite capable of capturing. Canon has done a good job improving the control scheme of the original EOS M6. The top dials are better, with the Mode a little more prominent, and the rearmost of the command dials a much stronger design. Canon ditched the two-level EV control for a single dial with a control button at its center. It's more versatile and comfortable to turn. The On/Off switch is nestled at its side. The shutter sits at a gentle angle above the handgrip. It has a good feel—a light touch depresses it halfway to engage autofocus, and a little more pressure snaps a photo or starts a burst. It's surrounded by the front control dial, finished in knurled metal. The M-Fn button, a customizable control, sits just to the right of the shutter release. Rear controls have been rethought a bit. The buttons are bigger and feel better than on the original M6, for one. There's now an AF/MF toggle switch, for quick changes to focus mode, along with a customizable control button at its center. The AE Lock * and focus point selection buttons sit at the edge of the rear thumb rest, just as on the first M6. Info, Record, Play, and Menu buttons surround the rear control dial, which turns continuously and offers four directional presses. They adjust EV, the flash settings, the drive mode, or delete images during playback. The Q/Set button, for the on-screen interface, is at the center of the wheel. The improved feel versus the original M6 isn't limited to dials and buttons. The handgrip is a bit deeper, and I like the feel of the leatherette wrap more. The body is a little wider, so there's more breathing room for the rear controls. The round-eye strap lugs have also been dropped, in favor of sturdier rectangular brackets. The rear display is a 3-inch LCD with touch support and a 1,040k-dot resolution. It's very sharp, and can tilt up, down, or face all the way forward. The touch support is excellent, with great response. The screen isn't just for framing and reviewing images. Pressing the Q button launches a view that gives quick access to common settings and is easily navigable by touch. You can also tap a subject to initiate tracking, or use the screen as a focus control surface when using the EVF—you'll see a small orange reticle in the viewfinder, which moves as you slide your finger on the rear LCD. Connectivity and Power Canon includes Wi-Fi and Bluetooth in the M6 Mark II. It works with the Canon Camera Connect app, a free download for Android and iOS platforms, to transfer photos for on-the-go editing and sharing, or for remote camera control. Both features work well—you get a live view from the lens on your phone's screen when using it as a remote, and images transfer over painlessly. Physical connections include the hot shoe, which works with the EVF and Speedlite flashes, as well as a mic jack, a remote connection, micro HDMI, and USB-C. The battery and memory card both load in the bottom. It's a single SDXC slot with support for the fastest UHS-II media. In-camera charging is available via USB-C, but it's a little tempermental as to what batteries and power adapters will charge it. I was able to replenish the battery using my MacBook Pro charger, but not a generic external battery. A standard external charger for the battery, which plugs directly into an AC outlet, is included. Improved Autofocus, Shutter Mechanism The M6 Mark II's Dual Pixel AF system is notably improved from the previous generation. It covers a wide swath of the sensor, the full height and 88 percent of its width, and can be sized down to a small point for precise focusing. The camera can fire as quickly as 14fps in its Hi+ burst rate, with 7fps capture available at the Hi setting and 3fps at the Low. It tracks subjects effectively, even at top speed. The buffer does fill up pretty quickly, though. You'll get about 20 shots in Raw or Raw+JPG, 30 shots in C Raw or C Raw+JPG, or 35 shots in JPG format before the shooting rate slows down. Thankfully the camera supports fast UHS-II SDXC cards, so it only takes about 10 seconds to clear the buffer to memory. Faster burst rate aside, Canon has made some other improvements to the focus system. Face and eye detection are available, even in continuous AI Servo focus. It works well—you can see it in action in our Atomos Ninja screen recording, embedded above. I don't think it's quite as confident as the similar tech in the Fujifilm X-T30 and Sony a6400, but it's not that far off. It will definitely help you get better-focused snapshots of your kids at play, for example. I was also happy to see how well the tracking focus system kept pace with cars moving down a racetrack at high speeds. I found tapping on the subject, or using the Touch Pad AF function, to be the best ways to identify a subject. See How We Test Digital Cameras Canon has upgraded the shutter mechanism. It's capable of firing at 1/4,000-second at its fastest, but you now have the option of using both front and rear mechanical curtains—which means it closes down, opens, and closes again to make an image, just like with an SLR. It's a departure from earlier M models, which rely entirely on an electronic front curtain shutter EFCS. It's a minor thing—there are some instances where an EFCS can distort the shape of bokeh highlights. It's not something I'd fret about—the portrait above was shot with EFCS and the EF-M 32mm f/ STM lens at its widest aperture and the bokeh looks fine to me. There's also a fully electronic shutter option, which can fire as quickly as 1/16,000-second. Densest APS-C Sensor Canon has squeezed into its APS-C sensor, the most we've resolution we've seen from the smaller-than-full-frame format. Despite the increase in pixel density, we saw better noise control than the company's 24MP chip, used in the original EOS M6 and others. It's not class-leading—that honor goes to the 26MP sensor found in the Fujifilm X-T3 and X-T30—but it's not that far off. Canon's JPG engine is a little heavy with noise reduction, curbing fine detail starting around ISO 800, but it's a rather modest effect, and image quality holds steady through ISO 3200. There's a little bit more blur at ISO 6400 and 12800, and it increases significantly at ISO 25600 and 51200. Keep in mind that the M6 won't go higher than ISO 6400 in Auto ISO mode unless you change a setting in the menu, and if you do you can only pump it up to ISO 25600. If you're looking at the M6 as a family camera to use in automatic mode, you'll enjoy very good image quality through its default Auto ISO range. More advanced photographers can enable Raw capture. The M6 supports two formats, Raw and C Raw, the latter of which adds some compression to keep file sizes down, without compromising file quality. Standard Raw files are around 45MB, while C Raw cuts them to about 30MB—file sizes do vary based on scene content. You don't lose anything by opting for C Raw, so I recommend using it. Raw images show strong detail all the way through ISO 6400 when processed using Lightroom. There is a grainy look, though, first apparent at ISO 800 and increasing steadily with the sensitivity. The sensor is very competitive with the 26MP chip used by the latest Fujifilm cameras through ISO 6400. The sensor shows a little more noise and a little less fine detail than the X-T3 at ISO 12800 and 25600, but there's very little practical difference. The output from either camera at ISO 51200 looks the same—very rough. Our overall impression of the new sensor is very positive—it's a good step forward for Canon, one that narrows the performance gap its previous-generation 24MP chip suffered versus others, and boosts resolution in the process. You can see crops from both Raw and JPG test images in the slideshow linked below. We're happy with the flexibility of the Raw images when it comes to adjusting exposure. Some recent Canon chips have suffered from excessive color noise when increasing exposure, brightening shadows, or lifting blacks. With the M6 Mark II, you have as much flexibility with Raw processing as you can expect from any APS-C camera. The new sensor, along with its Digic 8 image processor, is capable of doing some things with video that older Canon chips can't do—like record 4K video using the full width of the frame, and with speedy Dual Pixel AF. It also supports 1080p, of course, at 30 or 60fps with audio recording and full-time autofocus; Canon is adding 24fps later this year via a free firmware update. There is a slow-motion option, 1080p120, but autofocus is locked in for the duration of the shot and audio isn't captured. There are some pro-grade video features, like flat recording profiles, that are missing. But my biggest gripe about the M6 Mark II and video isn't the lack of high-end features; if that's what you want, other brands will serve you better at this price. Rather, it's that Canon hides away the 4K and slow-motion capabilities. They are only enabled when the Mode dial is set to the movie camera position. In all other modes, pressing the Record button limits you to 1080p. Extremely Capable, Modestly Supported Here's the rub—there's a lot to love about the EOS M6 Mark II. Canon has finally pushed its Dual Pixel AF system to a level that's on par with its very hearty competition, and it's finally given us an APS-C camera that can use its full sensor width to shoot video at 4K. It can shoot and track moving targets at 14fps, with autofocus coverage over most of the frame. But, despite how much this camera can do, Canon has decided to hide some things, and limit others, especially in terms of video. Meanwhile, Fujifilm and Sony absolutely pack video options to the gills in their competing cameras. Lenses are important for everything, not just video. Canon offers a number of zooms, covering ultra-wide through telephoto distances, but only a couple of prime lens options and a single native macro at this point in time. Sigma is now offering its DC DN Contemporary trio of f/ primes in EF-M, and sundry manual focus lens makers offer their wares in every mirrorless mount. But it's still far fewer options than offered to Fujifilm X and Sony E users. How much all this matters to you really depends on what you want out of the camera. If you're happy with what it offers and content with the lenses, the EOS M6 Mark II looks like a very promising, albeit expensive, option. Family photographers used to a basic Rebel SLR from even a couple of years ago will be blown away by the upgrades in speed and resolution. Likewise, pros deeply invested in the Canon system can look at this as another tool in the kit, a small, extremely capable stills camera, compatible with Speedlites and lenses that are already owned, and with a very familiar user interface. It's the enthusiast crowd, or pros who aren't in the Canon ecosystem, for whom the EOS M line, on a whole, is a tougher sell. The lenses just aren't there, and the video features that serious YouTubers and aspiring Kubricks look for aren't there either. The add-on viewfinder isn't as elegant a solution as models that put it in the body, and it adds to the overall cost of the package. It's for those reasons we continue to recommend the Fujifilm X-T30 and Sony a6400 more highly for photographers shopping for a mirrorless camera. The M6 Mark II itself isn't too far behind, and if Canon can better support it with native lens options, its appeal should broaden. Pros High-resolution sensor. 14fps burst rate. Quick, accurate autofocus. Face and eye detection. Flip-up LCD. 4K video. Bluetooth and Wi-Fi. View More Cons EVF isn't built in. Sensor isn't stabilized. Native lens library lacks premium options. Dumbed-down video options. Pricey. View More The Bottom Line The EOS M6 Mark II marks a big step forward for Canon's APS-C mirrorless system, but the available lenses aren't as appealing as those offered by Fujifilm and Sony. Like What You're Reading? Sign up for Lab Report to get the latest reviews and top product advice delivered right to your inbox. This newsletter may contain advertising, deals, or affiliate links. 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canon m6 mark ii